Showing posts with label loss. Show all posts
Showing posts with label loss. Show all posts

Tuesday, 6 June 2017

This Is It

I should have posted this entry in April, but although it was the very first thing I wrote for Writing Mums, I put off recording it, because I knew it was also the first piece I wrote on grief. It was tempting to edit it, to reflect the fact that the sun did come out again. But instead, I left it almost intact, as a snapshot of loss. I added one word - "perhaps" - listen out for it...



The film was taken on the Lakeside & Haverthwaite Railway, a short sail away from Bowness-on-Windermere. 


Text below...

 We had moved to the fresh-faced coastal town on the day after April Fool’s Day, not wanting to tempt fate any further.  Five months and one day after my father’s death, and spring seemed hopelessly far away; we were still deep in winter. But I was absolutely certain that just around the corner, just over the hill of this uneven path was a straight, downhill section, where we’d be bathed in sunshine, and life would start again in earnest.

For the first few weeks, the wind blew with a force so insistent I wondered if I would ever get used to it. Was it normal to have to hold onto walls to get round corners or for holes to be blown through your pyjamas on the washing line? But each gust seemed to sandblast more sadness away,  sending it crashing into the North Sea.

When the long-awaited spring came and quickly bloomed into a blazing summer, the visitors started to arrive.  Among them, my sister, struggling to get over a chest infection, and I tried to persuade her to stay longer, to soak some more sun into her thin skin. I let her sleep in my own soft bed, cooked her favourite foods and we warmed our hands over plans for this new life.

As the summer sky deepened into a blue I’d never seen in Scotland before, the days were spent entirely on the beach, rediscovering the joy of digging channels into the sea with my small, dogged son. We returned to the house only to watch the tennis, and were back on the beach so quickly, passers-by shouted out the result to us, assuming we’d missed it.

My sister came back from a week in Paris with a pretty ring on her finger, and we tumbled over each other, getting ready for a wedding at the end of the summer.  I took charge of some of the preparations, designing invitations, ordering French napkins, because the chest infection didn’t seem to be getting any better – if anything, it was getting worse, and the doctor advised hospital to see if they could get it under control.

As my sister started to fail, the dresses and tablecloths started to arrive in the post, and the sweet invitations hit doormats all over the country.

The doctors tried this, and then they tried that, but by the middle of July, the family had started looking at each other with horror. On Lifeboat Day, our house was surrounded by music and fairground rides and cool beer tents, but I was glad of my sunglasses, and no-one else but me knew that my legs were newly made of concrete.

The long distance to Glasgow melted to nothing as I went to and from the hospital, where each hour felt like a minute as the time screeched away from me, from us.

On the last day of July, I sang our old family lullabies to my now sleeping sister and said everything I needed to say to the nearly-closed eyes.  Later, the nurse closed those eyes and switched off that which was switched on, and my sister’s song was complete.

And so now I’m back by the sea, starting again, waiting for the bend in the road, the crest of the hill, for my world to open again. But the days are impossible and I rail against time wasted staring into nothing, hours spent just keeping squalor at bay. I make mistakes all the time, lose things, miss trains, leave my passport behind, and I think, “This is not the path I was supposed to be on.”  I play a record my sister and I loved and I hear a grotesque howling, just like the noise my sister made when she knew what was happening to her, and then realise it’s my own crying. I put the record away and I don’t think I’ll ever be able to listen to it again. Looking in the mirror is an exercise in despair –rosy apples have turned to mouldy plums, and I know what my friend means when she grabs my cheeks and says, “Oh…your poor face.”  Every other day I come across the wedding clothes and fabric and I am convulsed anew each time.

I keep hoping that next week will be different, and while things are sometimes easier for a few days, there are still potholes and speedbumps on this shitty road and I don’t see any signs pointing to the right path.

Yet, after a while I start to ask myself why I have been so unusually lucky over my blunders. Why, when I miss the train, the railway company lays on a free taxi home. Not once, but twice. And why the flight attendant pretends I don’t need my passport to board the plane.   It takes months for me to realise that the face that I can hardly bear to look at is the very thing that is drawing the kindness out of these strangers. And maybe it hits me, finally, that there is not going to be that downhill stretch any time soon. That my family is mostly old, and that the leaves will continue to fall from that tree; some of them will go at once, noisily, in an unnatural gust of wind, and others will just drift gently down, making little sound, but forming a heap big enough to cover hedgehogs and other small creatures.

I am sure that there will be golden spots on this road, plenty to rejoice in, always, even if it’s not where I thought I’d be. But it’s probably time to start drawing the map, finding directions for this way in life.

So this is it, this fork in the track through the woods.
This is it.

Perhaps, this is it.



Tuesday, 17 January 2017

11th January 2016

The first instalment for 2017 dates back to this time last year. I wasn't sure why the date in the title was the 11th rather than the 10th, until I was reminded that we didn't hear the news until we woke on the 11th.  Some fiction, some fact, some over-reacting, possibly, to the first of 2016's worst moments.

The star of this month's film - the atmospheric Binning Woods. You can have a humanist funeral among the trees, with your body laid to rest beneath the carpet of leaves and earth.

Some very beautiful small friends are the co-stars - sustained by chocolate buttons and leaping.

Text below as before...



11th January 2016


Above the neat white line that is Seagull Terrace, the last shreds of darkness are melting away when the news starts to leak from the row of radios.


Today, there’s only one story.


The fat housewife at number 4 clasps her hand to her mouth, and her small son looks up from his porridge as she tries to call the news to his dad upstairs. But her throat fails her.


His dad heard the news ten minutes ago. That’s why he’s still upstairs.


By now, the radios only know one singer. And there’s still just one story.


She starts to sing along...there’s a st…and stops. 20 minutes later, the gold paisley scarf she’d wound round her neck to chase away the rain is a wrinkled, damp knot and no longer capable of chasing anything anywhere.


Her son’s spoon drops as he watches her dance...crumple...dance…fold.


A million breakfast bowls turn pale and salty, and his dad stares at a screen and makes some rapid calculations.


69 minus 52 equals...


Not...


His dad tugs at his collar as he adds up the lines and the tokes and the puffs and the shots and he wonders just how many it takes to make 69 the last line of your song.


Did we stop…?


At number 6, an asthmatic teenager looks in disbelief at his bald, bellied uncle’s hands shaking and wonders what that exotic streak could ever have meant to a cab driver from Musselburgh.


I thought he was imm…


I never thought he’d...


The radios keep playing, and though the middle-aged suits’ voices falter, the songs pile up, each wireless wave washing fruits of the sea ashore. One last harvest, a tip of the hat we never saw coming.


The straight-shouldered silver widow at number 8 lifts the receiver and punches in the number of her favourite grandson, the one who used to slip her silk scarves under his grey school jumper when he thought she wasn’t looking, and put on concerts in the garden for her neighbours until their sons began to jeer from behind the fence. He picks up on the first ring.


At number 10, a heavy-browed 12-year-old pulls her stepfather’s guitar towards her, detuning it with her awkward grasp. Cross words are bitten off before they leave his lips when she asks him how to form the chord of G.


At number 4, the fat housewife wipes her face with a knitted hat and starts to tell them about the shy, brainy boy in her class who used to pass her cassettes with the tabs punched in so she couldn’t record over them. The home-made-best-of compilation a long-since-lost friend slipped in her pocket as she set off to conquer the world from a midnight fume-choked bus station.
And how she used it to teach 300 Japanese schoolboys to say ch-ch-ch…


The day is suspended in its own arc; a fortnight of rain fizzes away, a diluted sun in its place. Born into his world, they emerge for a walk, stepping unsurely into a world without.


When night falls again over the red-tiled roofs and whitewashed walls of Seagull Terrace, her son wonders why they’re all outside, heads tilted towards the stars. The row of radios stays tuned; tomorrow, fresh disasters will spill from their speakers, but just for one day, no matter which way they turn the dial, there’s only one story.




Wednesday, 28 December 2016

Winter Time


Just squeezing into the last days of the year, is December's instalment. Fans of Tom Waits will probably know why I wrote this poem - or maybe they won't...but this is the song that set me off.

In ever darker times for people around the world, there are still some very bright spots, and the stars of this month's film are enough to put a smile on the gloomiest face. Take a bow, Dunbar's Christmas lights! Our festive brilliance is funded and organised by local traders and townsfolk - none of your tastefully coordinated themes for us. I'm never sure if I prefer the lights advertising the nuclear power station, or the butcher's lights which depict a chicken repeatedly having its head chopped off. 


Thanks for watching - the text is below...


Winter Time
Things are pretty lousy for this calendar girl,
blue eyes once bright now greying at the sides -
dragged down by tears both wept and those
held back with the bravest of her frowns.
The lips that used to pout and kiss, blow smoke
into the eyes of a hundred cross-eyed sailors,
have blurred and wandered somewhere else
and her lipstick doesn’t know where it should go.
Polished and rosy, plucked from the tree
her cheeks as firm as they were round,
till this blight crept in and swapped the apples
for plums that are only fit for jam.

The famous tits that got her lifts and
bags carried up three flights of stairs,
they grew too big for eyes to linger
And now their daily catch is crumbs.
Summer no longer bares her legs
and the point of skirts is lost in time.
The jeans they once called lucky, discarded
as the weight of loss has settled on her hips.




Tuesday, 22 November 2016

Remembrance Sunday


In which the Mollers take a trip to the North West of Scotland, staying at the Camping Coach on the side of Loch Awe and making our first crossing to Iona, where we laid some red roses at the final resting place of John Smith. I met John Smith a couple of times, though I doubt I stuck in his mind. He stuck in mine.

Look out for Peter acting super sad to mark the gravity of the occasion...